Blue Orchids Manchester, UK
Continuing the mystical thread and acid explorations which were a hallmark of The Fall's initial line-up, Martin Bramah has
quietly crafted a trove of psychedelic visions unparalleled among musicians of his generation.
Despite never quite cracking mainstream public consciousness, Blue Orchids endure as a living treasures of head music for post-punks, with a series of deeply-magical recordings.
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supported by 69 fans who also own “Skull Jam”
A work of considerable power and subtlety. Certainly a grower but I was hooked on first listen and it seems to improve on subsequent plays. Well done to everyone involved and good luck for the future, hopefully a long and successful future.
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supported by 55 fans who also own “Skull Jam”
These tracks were recorded around the same time as their self-titled debut, and while that was excellent, I reckon this to be twice as good. Funky, chunky, melodic and lyrically superlative, Mark E. Smith would be very pleased and proud to be honoured so regally, not that he'd ever admit it.
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Four Against Fate
by Nightingales
supported by 42 fans who also own “Skull Jam”
happy to discover this band lately.great discovering the back catalogue
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Searing indie rock that reflects on British life and society post-Brexit, with elements of punk, garage, and more.
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Cardiff band Red Telephone can't disguise the pure pop sensibility in their blistering alt-rock songs.
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Woozy, rollicking indie rock that's thick and humid, searching vocals set against pealing guitars. Also available on cassette.
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supported by 37 fans who also own “Skull Jam”
Wildly rampant but at times poppy as anything. Nightingales mould those tracks into their own shapes where shifts of pace and mood are done in a way only they can do. And by the way THIS Nightingales album is a barnstorming classic. Add to that the weird Robert Lloyd stream of words ..such a pleasure to have them.
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